Pre-Load

These were not the tools of Reb’s trade,
Laid out before me on the extra bed.

The ones, instead, we bought at the tower
Store later (without our Italian dictionary).

Post Script

Those pictures on my camera
(For technological reasons
Which I can but won’t explain)
Remain on the card in my Canon.

That imaging of words, for now,
Is all I have there to exchange
For goods in the company store:
A sad denomination of currency.

Wednesday Morning

Awake this morning, 5:31 a.m.

Tools of the trade play on a mind
Focused, in frustration, on the web

Unavailable, in the here and now,
As I wrack said instrument for lines

That Milton penned in his invocation
To that wry Christian humanist muse.

Of a notebook, Rebecca’s drop cloths
And Inktense blocks of a color scheme,

I spy on the red cover of a spare bed,
Before I think to pull out my Canon G16

And angle myself down to sore knees
On the hard floor for a studied shot.

(Terrazza Bella, 6:19)

Terrazza Bella: What’s in a Name

Trying to Save Us From Ourselves

The kind, elderly gentleman spoke to us, quite naturally, in Italian.

“… il Centro? (“… the center city,” he inquired. As in a word of advice: if you’re trying to get to the cultural center, then you took the wrong turn back there at the divergent path.)

We had deliberately turned off before the Mobilita Alternativa, which carries you up the hill to the center city on a magic carpet ride.

We had taken the first left, the path less followed, to take the back way toward Torre dell’ Olio. (The tower of oil, aka in infamy or legend as the tower of Hannibal’s ignominious retreat from the gates of Spoleto.)

So now, it was our turn in Italian. Rebecca knew the infinitive for the verb “to go,” and quickly supplied the conjugation as she set out in her mind for the proper translation of “art store,” when I was prodded by a simple sign to supply a destination: “Torre dell’ Olio.”

A big smile from the nice man, along with well wishes for a good day.

As Yet Untitled, I Type

The Ex-Pat is an archetype, I suppose.
Living within and yet apart, s/he knows
Customs & places, restaurants & faces,
The barriers that every tourist crosses.

A passport is stamped where it falls open
On lines of direction, planes of past time.
Visiting the same place, in a new season,
Invites pilgrims to explore life’s rhythms.

Life Goes On No Matter Where

In a doorway more inviting than wide,
Talking back and forth with a beloved,

The body overlooks an arm outstretched.
In this way a back goes into spasms again.

Jet Lag: Recalculating

Sleep when it comes looks like this:
(Selfies, as a genre rule, don’t irk me,

Yet I will spare everyone the mugshot &
Stipulate to a jailbreak in the flight-:)

But since then, that’s pretty much been it:
Snatching little bits of sleep if it comes,

A self-defeating strategy, experts insist,
How very hard it is, even so, to resist.