Something to look forward to?

Between one day and the next,

a fervent sign of life.

Cerco personale in cucina.

I am looking for staff in the kitchen.

Next Doors

On the way to the Duomo, where of course Don Matteo

was filming again, we stopped at a cramped art studio

with the set of Next Doors magically spread out in oils

on canvas. My favorites yet, they almost trompe l’oeil.

 

Sandro Bastioli is the artist. Between his half-English and

our quarter-Italian, we manage a long Colloquio Spoletino.

His son, who lives in Rutherford, New Jersey will be home

for two weeks in Ottobre. He loves the doors of Castelluccio.

 

So did I, when we visited the mountain town one day last year.

I’ll have to find the post so I can insert the internal link here.

Then transfer the photo from my camera to my MacBook Air,

so I can then upload it to the Media Library in Word Prayer.

 

In the meantime, see if this website link will work.

Starting Times

To one of the officials of the Art Festival, our thanks.  Without me dallying over photos of a shuddered wall, he would never have caught our mistake (thinking the palazzo was chuiso).

Of course, it isn’t exactly as if the exhibitions have a set starting time.  While we make our way from room to room, taking in the art, found objects explain what is also going on around us.

One animated exchange clearly indicates a difference of opinion over where to place the name tag.  Two others, it seems, are pretty much agreed about the proper height and location for hanging the next piece.

Spontaneity lends a festive feel to their “Art in the City.”  Several more places to visit (after the threat of rain).  Plus return to the ones we’ve heard calling out to be revisited.  Ought to be a fun two days taking it all in.

Amazingly Simple

Some fruit, with a little bit of cheese, for lunch.

Some pasta, with a basic veggie sauce, for dinner.

Out on the terrazzo, with the clouds and a breeze.

Many a day, it doesn’t get much simpler than these.

Somewhere in this pile of brick,

someone knows which shade to pick.  (It ain’t me, until I see ’em in print.)

Down and Around the New Town

Down to the Stazione for the tickets to Orvieto.

Next well over and then up to the supermercato.

In between, a glimpse of the old city on the hill.

With clouds rolling in, bringing with them a chill.

Looking Ahead

Orvieto, which a colleague (in history) once called his favorite place in Italy, sits on a plateau of soft volcanic rock.  Into this inviting material, apparently, the natives dug a labyrinth of caves and tunnels.  This Orvieto Underground, next only to the one in Atlanta, held a treasure trove of historical and archaeological information.  Truly a city steeped in the past.  We’re holding great expectations.

Staying At It

I have yet to translate the image of a column into a monument to travelers, but the placing of this “Sculpture in the City” couldn’t be more obvious.

Sitting at the base of the ancient Roman road (Via Flaminia Vecchia) on its way out of town, La Colonna del Viaggiatore holds the pride of a perfect placement.

(I have yet to discover who decided, or how, to position new works of art in old urban spaces.  But for a rundown on the ancient Via Flaminia, check here.

[By the by, if you click on the map, you will discover a branch in the road, where the second of the two, a more circuitous route, passed through Spoletium.])